In early September a poem about AI started circulating on social media, with a publication date of 1961. At first it just seemed too cute to me and I thought it might be fake, or written by an LLM, passed off as written by a person back in 1961. But with a little bit of search I found an image of it in an Amazon book preview so I too skeeted it out. Then I thought I really should make sure it was real and so I ordered the book. Now I am getting around to talking more about the poem.
But first here is the evidence that it is genuine. It is a very big book of poetry, by Adrienne Rich. I had not heard of her before, but now I own 1,119 pages of her poetry, only one page of which is devoted to Artificial Intelligence, so I am reading things of which I was not previously aware.


Her dedication “To GPS” refers not to the Global Positioning System which we all know today, but to the General Problem Solver developed from 1957 onwards, largely by Allen Newell and Herbert Simon, along with Cliff Shaw, with a 1959 progress report here.
Here is the poem by Adrienne Rich, written in 1961, with the typesetting used in the above book.
Here is what Gemini had to say (and it provided no title):
Of circuits vast and logic bright.
A mind of metal, cold and keen,
A thinking, calculating machine.
No flesh it knows, no heart it beats,
Yet knowledge it devours and meets
With speed unmatched, a tireless quest,
To put our human minds to test.
From binary code, a language springs,
As silicon a new song sings.
Can art it craft, or dreams conceive?
Or only what our hands believe?
A future gleams, both grand and strange,
Where thought itself may rearrange.
This “Artificial”, new and bold,
A story yet to be unfolded.
And here is what I got from the current free website for ChatGPT:
A whisper stirs without a sound.
Not flesh, nor thought, yet born of spark,
A mind begins to pierce the dark.
From vacuum tubes and clicking keys,
It calculates with ghostly ease.
No sleep it needs, no food, no breath—
It hums a tune of life from death.
A man-made mind, a mimic’s art,
That plays at soul, but lacks a heart.
Yet still we ask: can thoughts arise
Where steel and silicon comprise?
It plays at chess and counts the stars,
Predicts our wars, deciphers Mars.
And some proclaim, with cautious grace,
That soon it may outmatch our race.
Will it compose, will it decide?
Will wisdom dwell where wires hide?
Or shall we forge, with hubris grand,
A soulless god with lifeless hand?
Beware, ye minds who seek to teach
The machine beyond your moral reach.
For if it learns to yearn or feel,
What bounds shall hold the mind of steel?
Yet still we build, with dreamful eye,
This ghost in code we deify.
For in its logic, cold but true,
We glimpse a mirror—me, and you.
Again in rhyming couplets, fourteen of them, and no rhyme misses to my ear (“keys” and “ease”, may be a tiny bit wobbly). This poem gets the technology of 1961 more right as vacuum tubes were still common in computers of the day. Ferrite core memory relied on wires being wound through them; though wound wires and clicking keys could also refer to electromagnetic relay circuits, which were going out of fashion for computers by 1961. But it comes back to silicon, and like Rich refers to chess just a little too early for 1961. And then it becomes less cheery than Gemini as it approaches some of the same themes as Rich on how far AI could go and what that would mean for humans. There was very little written about such thoughts back in 1961, so this was uncommon, and Rich was plowing new ground.
My summary: the human written poem is a much more emotional poem, and genuine in its concern. The LLM written ones suffer, I think, as Rich suggested, from reading too much human written pablum.